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Sources and devices

Every prediction elsewhere in this documentation starts from a source descriptor, and this section is where those descriptors are measured. Its common thread is emission: numbers that belong to the device rather than to the room or the distance it is heard at.

The sound power and intensity pages determine the central emission quantity, the sound power level: the figure that goes on a datasheet, feeds a room or outdoor prediction and is checked against noise-emission limits — including the route that reads it off the casing’s own vibration when no microphone can be placed. The electroacoustics pages turn to devices that are supposed to make sound (amplifiers, loudspeakers and microphones) and to the broadcast programme they carry, and the noise control pages hold the path measures that quiet a machine once its emission is known.

If you are here to measure a machine, start with Sound Power and let its decision guidance pick the route, which may end on an intensity probe or, when only vibration can be measured, on the radiating surface itself; read Sound Intensity (p-p) when that route involves an intensity probe. If you are here to bench-test audio gear, go straight to Electroacoustics; if you are here to level a programme, go to Programme loudness.

The total acoustic emission of a source, and the power flux it is built on.

Amplifiers, loudspeakers and microphones on the bench, and the programme signal they carry.

Industrial noise control on the path, between the machine and whoever hears it.

  • No facility is qualified here. ISO 3745’s free-field qualification of an anechoic room, ISO 3741’s reverberation-room qualification and IEC 61043’s residual-intensity test of a probe are all assumed to have been done: the library warns on the coarse advisory criteria a standard states explicitly and grades a residual index you supply, but it does not certify a room or an instrument. The same boundary runs through the electroacoustics pages, which reduce and report curves the laboratory supplies rather than telling you how to acquire them, and through ISO/TS 7849, whose clauses 5 to 7 on instrumentation, installation and measurement positions are laboratory practice this library assumes.

  • Three specific absences are worth knowing before you plan a job. ISO 9614-1’s discrete fixed-point power summation is not implemented at all — only its field indicators are, reused by the scanning routes. Dissipative duct-lining silencers are not modelled from liner properties anywhere: the reactive elements are computed exactly within the no-flow plane-wave model, and the lined-elbow figure is a table lookup (Bies Table 8.11) and the plenum attenuation Wells’ closed form driven by a declared mean absorption — neither is a liner model. And no page here predicts a panel’s transmission loss: enclosure_insertion_loss combines a value you supply with the interior correction, and the prediction itself is Insulation design.

  • Editions are pinned rather than current in two places: the distortion metrics follow AES17-2015 and not the 2020 revision, and the microphone rated-characteristics report follows IEC 60268-4:2014 and not the 2018 one. Object-based audio (BS.1770-5 Annex 4) is out of scope, and the library implements no spatial renderer, so an object-based programme has to be rendered to a loudspeaker layout before it can be measured.

Every emission quantity here is computed from band levels or from an intensity pair, so the calibration, weighting and filtering behind them are in Signal analysis, and Build a sound level meter runs that chain end to end on one runnable page. The derivations are split by physics rather than by topic: sound power determination is under Environment and transport, and sound intensity under Signal analysis. The electroacoustics and noise-control pages carry their derivations inline.

If you arrived here from a search and want the shape of the whole library, What do you need to measure? indexes it by the job and All guides lists every page with a line on each.